“비애”를 통해 현대 서정시의 새 영역을 개척했다. 서정주, 이용악과 함께 ‘시단의 세 천재’로 주목받았고 모더니즘 시인과 프롤레타리아 문학가 모두가 극찬했다. 그러나 그는 북을 택했고, 한국 문학사에서 방치되었다. ‘자신의 노래가 끝나는 날 무덤에 아름다운 꽃이 피리라’라는 그의 시구처럼, 이제 그의 노래가 암담한 무덤을 딛고 아름답게 꽃필 때다.

? 목차 ≪성벽(城壁)≫ 月香九天曲 ····················3 旅愁 ·······················7 海港圖 ······················9 漁浦 ······················12 黃昏 ······················13 城壁 ······················15 傳說 ······················16 溫泉地 ·····················17 賣淫婦 ·····················18 古典 ······················19 魚肉 ······················20 毒草 ······················21 鄕愁 ······················22 鯨 ·······················24 花園 ······················25 雨期 ······················26 暮村 ······················27 病室 ······· ..…